I've long thought that I have an addiction to fiction. Between reading lots of prose fiction and writing a little, watching drama & comedy films and TV, day-dreaming as much as I can, and having long, involved stories in my sleep-time dreams, I spend a large proportion of my life absorbed in tales that I or someone else has made up.
Personally, I think that's a good thing. There are lots of respectable ways of saying this - it's part of human nature to want to tell and hear stories; reading or watching fiction about other people's lives helps us develop understanding and compassion; we can learn a lot, educate ourselves, by reading well-researched fiction... I agree with all of those, as well as thinking that, for me at least, losing myself in a good story is an addictive behaviour. It soothes me, cheers me, distracts me; I get edgy if I can't do it most days; when I'm doing it, I lose my sense of time and often my awareness of what's going on around me, or even in my own body - fatigue, thirst, needing to go to the loo - everything fades away except the fictional world, if it's really gripping. Good thing I have cats, then, as they are very effective at bringing me back to the real world with their demands for food, attention, action.
Not surprisingly, I own quite a few books (rough estimate, somewhere around 1500 - 2000) in many genres and for all ages, as well as a lesser but still goodly number of film & TV DVDs (about 500 +/-). Probably my books are about 85% fiction, 15% non-fiction. Very few of my DVDs are documentaries (although those docos are fab - Simon Schama's A History of Britain, George Gittoes' Soundtrack to War, series of Who Do You Think You Are?).
So I'm surprised that six out of the thirteen books I bought at/just before the recent Sydney Writers' Festival, by authors who I planned to hear speaking or ones who I was enthused by after hearing them, were non-fiction. Most of those, though, are memoirs or biographies, so I guess I'm sticking with stories about people, even if some of those stories are about scientific learning as much as about the individuals involved.
I've been hugely enjoying novellist Hilary Mantel's memoir, Giving up the Ghost, while also finding her experiences as a young child very moving, particularly her puzzlement at how and why school does what it does to children - very reminiscent of my own bewilderment as a four year old. At least I had my dad, who told my teacher that if his daughter wanted to read instead of watching TV with the other children, she should be able to, even if she wasn't supposed to have learnt yet. Hilary didn't get into trouble for being an early reader - she found Dick and Jane too boring to be enthused about - but her spontaneous creativity when reciting rote lessons angered the teacher, who asked what was obviously a trick question, "Do you want me to hit you with this ruler?".
But because I wanted to start reading all the books, all at once, soon after starting Giving up the Ghost I leapt into another memoir, by Russian Jewish journalist Masha Gessen.
Masha Gessen's memoir Blood Matters is chock full of information garnered from Gessen's interviews and personal experiences with geneticists, oncologists, genetic counsellors, economists (she consulted a professor of economics about using economic theory to help her decision-making about having prophylactic surgery to prevent breast and/or ovarian cancer), genealogists, DNA analysts, match-makers, rabbis, historians... She is impelled to learn about genetic medicine and inheritable diseases, and breast & ovarian cancer, their treatments and survival rates, when she tests positive for the BRCA1 gene mutation.
Along the way, she hears about the genetic evidence that present-day Jewish men who identify as Cohanim (belonging to the priestly caste of Cohens, descended from Aaron, brother of Moses) do carry a particular Y-chromosome gene that apparently originated with one man whose Y-DNA haplotype shows he lived in the Middle East around 2650 years ago, give or take a few hundred years. She has a harrowing conversation with the sole survivor of a Nazi-run "home" for disabled children (reading the description of what the doctors did to the children at the Spiegelgrund nearly made me throw up). And she meets Miriam, mother of Yehuda, who has a system of hand-written file-cards recording prospective brides for her son; considerations include personality, religiousness, appearance, family occupation, inheritable illnesses.
Some of the stories, whether of people with Huntington's disease (in a chapter justifiably called The Cruellest Disease), or women who have lost all their female relatives over 20 to cancer, are heart-breaking, but I'm still reading, partly because it is fascinating and eye-opening, and also because I haven't yet reached the chapter where Masha decides what she will do - whether to have either or both operations, and what else instead, or as well.
On a much lighter note, I'd like to know if there is a genetic cause of my addiction to reading stories. My father was adopted by a loving, hard-working family who didn't read books. (Later, when I was a teenager, my ever-generous Nana would offer me a "book" to read, meaning Woman's Day or another magazine.) Once he was in a position to buy books, and stay up late reading them, my dad did both, sometimes to excess. In adulthood, he met his birth mother, who turned out to also have a staying-up-late-reading habit. My sister and I had little chance of avoiding this inheritance, if it does have a genetic origin, as our mother too was an inveterate book-buyer and would often be caught up in a good story and lose all sense of time while reading.
My darling ma, reading, with cats
random opinions and reviews of film, literature, TV, new media, and Real Life.
Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts
24 May 2012
02 April 2011
On Australian Women Writing SF
a guest post by Tansy Rayner Roberts
Australians writers aren’t particularly known for their science fiction, especially right now with fantasy dominating the bestseller shelves, and more of a slipstreamy, speculative fiction sensibility prevalent in the small presses. But it’s there - it has always been there - simmering beneath the surface. As is common where a genre is perceived as marginal, those few examples most people can remember tend to be the ones written by men, just as the majority of books reviewed or considered historically to be “important” also tend, on the whole, to be those written by men.
But I am not most people!
Among my favourite and best beloved works, the first one that comes to mind is the classic feminist-lesbian-shakespearian-dystopian short story by Lucy Sussex, “My Lady Tongue.” There’s also Less Than Human, an industrial-robots-in-near-future-Japan novel by Maxine McArthur, which I love for its characterisation and sense of place as well as a kick-ass crime plot.
Speaking of kick-ass, well, you can’t talk about Australian science fiction without mentioning Marianne de Pierres, who has kept the space opera flag flying in recent years, even as the rest of Australia’s meagre handful of SF writers leap aboard the fantasy ship instead.
Nylon Angel is an Australian classic (dytopia again, we do that so well), and her Sentients of Orion series comes well recommended. Even her recent YA debut, Burn Bright, which has all the hallmarks of a vampire paranormal, is science fictional in the extreme.
I always get annoyed when people put together lists of “important” or “classic” science fiction works and deliberately leave out the YA or childrens books, because that’s often where the women authors are to be found. Certainly, when it comes to science fiction, Australia has a long and marvellous history of children’s authors writing brilliant, disturbing work. Gillian Rubenstein’s Space Demons, for example, is a true Australian children’s classic, very much of its time but still chilling in the depiction of a computer game that can swallow you whole.
Right now, I’m hanging out for what I believe will become a new Australian SF classic. Sue Isle’s Nightsiders was published this month by Twelfth Planet Press, the first in a series of short story quartets by Australian women writers. I haven’t seen the finished book yet, but I have read a couple of the stories and am excited to see more. Nightsiders is another Australian dystopia, centred around a future Perth which has been evacuated by the majority of its population due to climate change, in which only a few stragglers remain, sleeping by day and living by night. The stories I have read of this suite already are harsh and touching, and I can’t wait to receive my book in the post!
One thing is for certain - we have some great Australian women SF writers, but not nearly enough. I’m hoping that the next decade will bring some great new work from established and new voices, and that readers return to the genre in droves.
Tansy Rayner Roberts is the author of Power and Majesty (Creature Court Book One) and The Shattered City (Creature Court Book Two, April 2011) with Reign of Beasts (Creature Court Book Three, coming in November 2011) hot on its tail. Her short story collection Love and Romanpunk will be published as part of the Twelfth Planet Press “Twelve Planets” series in May. It is a little bit science fiction.
This post comes to you as part of Tansy’s Mighty Slapdash Blog Tour, and comes with a cookie fragment of new release The Shattered City:
Macready laughed, stepping back, out of range. “Does the sword not feel like she belongs to you?”
Skysilver, that was the trick to it. Didn’t matter how fast it took you, being a sentinel, it was skysilver that drew you in and made you belong. It had a song you couldn’t quite hear, a heat that connected you to the sky and the Court. If Delphine could just listen to the song of the skysilver, she would understand.
“No, she belongs to you, and I don’t take gifts unless I know their price.”
Australians writers aren’t particularly known for their science fiction, especially right now with fantasy dominating the bestseller shelves, and more of a slipstreamy, speculative fiction sensibility prevalent in the small presses. But it’s there - it has always been there - simmering beneath the surface. As is common where a genre is perceived as marginal, those few examples most people can remember tend to be the ones written by men, just as the majority of books reviewed or considered historically to be “important” also tend, on the whole, to be those written by men.
But I am not most people!
Among my favourite and best beloved works, the first one that comes to mind is the classic feminist-lesbian-shakespearian-dystopian short story by Lucy Sussex, “My Lady Tongue.” There’s also Less Than Human, an industrial-robots-in-near-future-Japan novel by Maxine McArthur, which I love for its characterisation and sense of place as well as a kick-ass crime plot.

Nylon Angel is an Australian classic (dytopia again, we do that so well), and her Sentients of Orion series comes well recommended. Even her recent YA debut, Burn Bright, which has all the hallmarks of a vampire paranormal, is science fictional in the extreme.


One thing is for certain - we have some great Australian women SF writers, but not nearly enough. I’m hoping that the next decade will bring some great new work from established and new voices, and that readers return to the genre in droves.

Tansy Rayner Roberts is the author of Power and Majesty (Creature Court Book One) and The Shattered City (Creature Court Book Two, April 2011) with Reign of Beasts (Creature Court Book Three, coming in November 2011) hot on its tail. Her short story collection Love and Romanpunk will be published as part of the Twelfth Planet Press “Twelve Planets” series in May. It is a little bit science fiction.
This post comes to you as part of Tansy’s Mighty Slapdash Blog Tour, and comes with a cookie fragment of new release The Shattered City:
Macready laughed, stepping back, out of range. “Does the sword not feel like she belongs to you?”
Skysilver, that was the trick to it. Didn’t matter how fast it took you, being a sentinel, it was skysilver that drew you in and made you belong. It had a song you couldn’t quite hear, a heat that connected you to the sky and the Court. If Delphine could just listen to the song of the skysilver, she would understand.
“No, she belongs to you, and I don’t take gifts unless I know their price.”
31 March 2011
SF Mistressworks - a reading meme
This list was created by reviewer and author Ian Sales, in response to the Gollancz SF Masterworks series.
Ian explains:
"[These are all by women,] science fiction only, no fantasy; and no YA or children’s works. One work per author... Arbitrary end date of 2000.
For trilogies or series, I’ve listed the first book but put the trilogy/series name in square brackets afterwards. Asterisked titles are in Gollancz’s SF Masterworks series. And if the Masterworks series is allowed an anthology, so am I: hence the inclusion of Despatches from the Frontiers of the Female Mind. I’ve also sneakily included one or two collections, for those writers best known for their short fiction.
The list is in order of year of publication.
You know how it works: bold those you’ve read, italicise those you own but have not read. (If you’ve read the entire named series, you can even emboldenize that as well.)"
The titles bolded below are ones that I (Deborah) have read - some many times, some only once. I might also add some titles to Ian's list (or replace some, if I stick to the 'one title by each author' rule). And maybe get started on a Fantasy Mistressworks list :-)
1 * Frankenstein, Mary Shelley (1818)
2 * Herland, Charlotte Perkins Gilman (1915)
3 Orlando, Virginia Woolf (1928)
4 Lest Ye Die, Cicely Hamilton (1928)
5 Swastika Night, Katherine Burdekin (1937)
6 was deleted cos Francis Leslie Ashton is male (1951)
7 The Sword of Rhiannon, Leigh Brackett (1953)
8 Pilgrimage: The Book of the People, Zenna Henderson (1961)
9 Memoirs of a Spacewoman, Naomi Mitchison (1962)
10 Witch World, Andre Norton (1963)
11 Sunburst, Phyllis Gotlieb (1964)
12 Jirel of Joiry, CL Moore (1969)
13 Heroes and Villains, Angela Carter (1969)
14 Ten Thousand Light Years From Home, James Tiptree Jr (1973)
15 * The Dispossessed, Ursula K Le Guin (1974)
16 Walk to the End of the World, Suzy McKee Charnas (1974)
17 * The Female Man, Joana Russ (1975)
18 Missing Man, Katherine MacLean (1975)
19 * Arslan, MJ Engh (1976)
20 * Floating Worlds, Cecelia Holland (1976)
21 * Where Late the Sweet Birds Sang, Kate Wilhelm (1976)
22 Islands, Marta Randall (1976)
23 Dreamsnake, Vonda N McIntyre (1978)
24 False Dawn, Chelsea Quinn Yarbro (1978)
25 Shikasta [Canopus in Argos: Archives], Doris Lessing (1979)
26 Kindred, Octavia Butler (1979)
27 Benefits, Zoe Fairbairns (1979)
28 The Snow Queen, Joan D Vinge (1980)
29 The Silent City, Élisabeth Vonarburg (1981)
30 The Silver Metal Lover, Tanith Lee (1981)
31 The Many-Coloured Land [Saga of the Exiles], Julian May (1981)
32 Darkchild [Daughters of the Sunstone], Sydney J van Scyoc (1982)
33 The Crystal Singer, Anne McCaffrey (1982)
34 Native Tongue, Suzette Haden Elgin (1984)
35 The Handmaid’s Tale, Margaret Atwood (1985)
36 Jerusalem Fire, RM Meluch (1985)
37 Children of Anthi, Jay D Blakeney (1985)
38 The Dream Years, Lisa Goldstein (1985)
39 Despatches from the Frontiers of the Female Mind, Sarah Lefanu & Jen Green (1985)
40 Queen of the States, Josephine Saxton (1986)
41 The Wave and the Flame [Lear's Daughters], Marjorie Bradley Kellogg (1986)
42 The Journal of Nicholas the American, Leigh Kennedy (1986)
43 A Door into Ocean, Joan Slonczewski (1986)
44 Angel at Apogee, SN Lewitt (1987)
45 In Conquest Born, CS Friedman (1987)
46 Pennterra, Judith Moffett (1987)
47 Kairos, Gwyneth Jones (1988)
48 Cyteen , CJ Cherryh (1988)
49 Unquenchable Fire, Rachel Pollack (1988)
50 The City, Not Long After, Pat Murphy (1988)
51 The Steerswoman [Steerswoman series], Rosemary Kirstein (1989)
52 The Third Eagle, RA MacAvoy (1989)
53 * Grass, Sheri S Tepper (1989)
54 Heritage of Flight, Susan Shwartz (1989)
55 Falcon, Emma Bull (1989)
56 The Archivist, Gill Alderman (1989)
57 Winterlong [Winterlong trilogy], Elizabeth Hand (1990)
58 A Gift Upon the Shore, MK Wren (1990)
59 Red Spider, White Web, Misha (1990)
60 Polar City Blues, Katharine Kerr (1990)
61 Body of Glass (AKA He, She and It), Marge Piercy (1991)
62 Sarah Canary, Karen Joy Fowler (1991)
63 Beggars in Spain [Sleepless trilogy], Nancy Kress (1991)
64 A Woman of the Iron People, Eleanor Arnason (1991)
65 Hermetech, Storm Constantine (1991)
66 China Mountain Zhang, Maureen F McHugh (1992)
67 Fools, Pat Cadigan (1992)
68 Correspondence, Sue Thomas (1992)
69 Lost Futures, Lisa Tuttle (1992)
70 Doomsday Book, Connie Willis (1992)
71 Ammonite, Nicola Griffith (1993)
72 The Holder of the World, Bharati Mukherjee (1993)
73 Queen City Jazz, Kathleen Ann Goonan (1994)
74 Happy Policeman, Patricia Anthony (1994)
75 Shadow Man, Melissa Scott (1995)
76 Legacies, Alison Sinclair (1995)
77 Primary Inversion [Skolian Saga], Catherine Asaro (1995)
78 Alien Influences, Kristine Kathryn Rusch (1995)
79 The Sparrow, Mary Doria Russell (1996)
80 Memory [Vorkosigan series], Lois McMaster Bujold (1996)
81 Remnant Population, Elizabeth Moon (1996)
82 Looking for the Mahdi, N Lee Wood (1996)
83 An Exchange of Hostages [Jurisdiction series], Susan R Matthews (1997)
84 Fool’s War, Sarah Zettel (1997)
85 Black Wine, Candas Jane Dorsey (1997)
86 Halfway Human, Carolyn Ives Gilman (1998)
87 Vast, Linda Nagata (1998)
88 Hand of Prophecy, Severna Park (1998)
89 Brown Girl in the Ring, Nalo Hopkinson (1998)
90 Dreaming in Smoke, Tricia Sullivan (1999)
91 Ash: A Secret History, Mary Gentle (2000)
you can read more about this list on Ian Sales' blog
I read about it first on Tansy Rayner Roberts' blog
Ian explains:
"[These are all by women,] science fiction only, no fantasy; and no YA or children’s works. One work per author... Arbitrary end date of 2000.
For trilogies or series, I’ve listed the first book but put the trilogy/series name in square brackets afterwards. Asterisked titles are in Gollancz’s SF Masterworks series. And if the Masterworks series is allowed an anthology, so am I: hence the inclusion of Despatches from the Frontiers of the Female Mind. I’ve also sneakily included one or two collections, for those writers best known for their short fiction.
The list is in order of year of publication.
You know how it works: bold those you’ve read, italicise those you own but have not read. (If you’ve read the entire named series, you can even emboldenize that as well.)"
The titles bolded below are ones that I (Deborah) have read - some many times, some only once. I might also add some titles to Ian's list (or replace some, if I stick to the 'one title by each author' rule). And maybe get started on a Fantasy Mistressworks list :-)
1 * Frankenstein, Mary Shelley (1818)
2 * Herland, Charlotte Perkins Gilman (1915)
3 Orlando, Virginia Woolf (1928)
4 Lest Ye Die, Cicely Hamilton (1928)
5 Swastika Night, Katherine Burdekin (1937)
6 was deleted cos Francis Leslie Ashton is male (1951)
7 The Sword of Rhiannon, Leigh Brackett (1953)
8 Pilgrimage: The Book of the People, Zenna Henderson (1961)
9 Memoirs of a Spacewoman, Naomi Mitchison (1962)
10 Witch World, Andre Norton (1963)
11 Sunburst, Phyllis Gotlieb (1964)
12 Jirel of Joiry, CL Moore (1969)
13 Heroes and Villains, Angela Carter (1969)
14 Ten Thousand Light Years From Home, James Tiptree Jr (1973)
15 * The Dispossessed, Ursula K Le Guin (1974)
16 Walk to the End of the World, Suzy McKee Charnas (1974)
17 * The Female Man, Joana Russ (1975)
18 Missing Man, Katherine MacLean (1975)
19 * Arslan, MJ Engh (1976)
20 * Floating Worlds, Cecelia Holland (1976)
21 * Where Late the Sweet Birds Sang, Kate Wilhelm (1976)
22 Islands, Marta Randall (1976)
23 Dreamsnake, Vonda N McIntyre (1978)
24 False Dawn, Chelsea Quinn Yarbro (1978)
25 Shikasta [Canopus in Argos: Archives], Doris Lessing (1979)
26 Kindred, Octavia Butler (1979)
27 Benefits, Zoe Fairbairns (1979)
28 The Snow Queen, Joan D Vinge (1980)
29 The Silent City, Élisabeth Vonarburg (1981)
30 The Silver Metal Lover, Tanith Lee (1981)
31 The Many-Coloured Land [Saga of the Exiles], Julian May (1981)
32 Darkchild [Daughters of the Sunstone], Sydney J van Scyoc (1982)
33 The Crystal Singer, Anne McCaffrey (1982)
34 Native Tongue, Suzette Haden Elgin (1984)
35 The Handmaid’s Tale, Margaret Atwood (1985)
36 Jerusalem Fire, RM Meluch (1985)
37 Children of Anthi, Jay D Blakeney (1985)
38 The Dream Years, Lisa Goldstein (1985)
39 Despatches from the Frontiers of the Female Mind, Sarah Lefanu & Jen Green (1985)
40 Queen of the States, Josephine Saxton (1986)
41 The Wave and the Flame [Lear's Daughters], Marjorie Bradley Kellogg (1986)
42 The Journal of Nicholas the American, Leigh Kennedy (1986)
43 A Door into Ocean, Joan Slonczewski (1986)
44 Angel at Apogee, SN Lewitt (1987)
45 In Conquest Born, CS Friedman (1987)
46 Pennterra, Judith Moffett (1987)
47 Kairos, Gwyneth Jones (1988)
48 Cyteen , CJ Cherryh (1988)
49 Unquenchable Fire, Rachel Pollack (1988)
50 The City, Not Long After, Pat Murphy (1988)
51 The Steerswoman [Steerswoman series], Rosemary Kirstein (1989)
52 The Third Eagle, RA MacAvoy (1989)
53 * Grass, Sheri S Tepper (1989)
54 Heritage of Flight, Susan Shwartz (1989)
55 Falcon, Emma Bull (1989)
56 The Archivist, Gill Alderman (1989)
57 Winterlong [Winterlong trilogy], Elizabeth Hand (1990)
58 A Gift Upon the Shore, MK Wren (1990)
59 Red Spider, White Web, Misha (1990)
60 Polar City Blues, Katharine Kerr (1990)
61 Body of Glass (AKA He, She and It), Marge Piercy (1991)
62 Sarah Canary, Karen Joy Fowler (1991)
63 Beggars in Spain [Sleepless trilogy], Nancy Kress (1991)
64 A Woman of the Iron People, Eleanor Arnason (1991)
65 Hermetech, Storm Constantine (1991)
66 China Mountain Zhang, Maureen F McHugh (1992)
67 Fools, Pat Cadigan (1992)
68 Correspondence, Sue Thomas (1992)
69 Lost Futures, Lisa Tuttle (1992)
70 Doomsday Book, Connie Willis (1992)
71 Ammonite, Nicola Griffith (1993)
72 The Holder of the World, Bharati Mukherjee (1993)
73 Queen City Jazz, Kathleen Ann Goonan (1994)
74 Happy Policeman, Patricia Anthony (1994)
75 Shadow Man, Melissa Scott (1995)
76 Legacies, Alison Sinclair (1995)
77 Primary Inversion [Skolian Saga], Catherine Asaro (1995)
78 Alien Influences, Kristine Kathryn Rusch (1995)
79 The Sparrow, Mary Doria Russell (1996)
80 Memory [Vorkosigan series], Lois McMaster Bujold (1996)
81 Remnant Population, Elizabeth Moon (1996)
82 Looking for the Mahdi, N Lee Wood (1996)
83 An Exchange of Hostages [Jurisdiction series], Susan R Matthews (1997)
84 Fool’s War, Sarah Zettel (1997)
85 Black Wine, Candas Jane Dorsey (1997)
86 Halfway Human, Carolyn Ives Gilman (1998)
87 Vast, Linda Nagata (1998)
88 Hand of Prophecy, Severna Park (1998)
89 Brown Girl in the Ring, Nalo Hopkinson (1998)
90 Dreaming in Smoke, Tricia Sullivan (1999)
91 Ash: A Secret History, Mary Gentle (2000)
you can read more about this list on Ian Sales' blog
I read about it first on Tansy Rayner Roberts' blog
11 February 2011
my dear Cassandra...

When I read that Cassandra Austen burned most of the letters she received from her sister Jane, I was distraught - how could Cassandra do such a thing? To destroy the words of one of the English speaking world's greatest prose writers seemed unforgivable.
Then when I watched the BBC telemovie 'Miss Austen Regrets' I saw the intense relationship between the sisters - even though Cassandra is off-screen for most of the drama - and could understand why she might want to destroy those reminders of her sister, who she'd never see again, never receive a letter from again.

The intensity of feeling between Elinor and Marianne Dashwood is, I imagine, based on the closeness between Cassandra and Jane Austen. However similar or different they might be, they meant so much to each other, no other friend or family member could replace that trust and intimacy of spirit.
I'd sort of watched 'Miss Austen Regrets' a year or more ago, but skipped in and out of it while - I can't remember - channel flicking, or Facebooking, or ringing my mum... The main things that struck me that time were how well suited Olivia Williams and Greta Scacchi were to play sisters,


and how much Imogen Poots,


This time around I also realised that both Williams and Scacchi had previously been in adaptations of Emma -

Olivia Williams played Jane Fairfax in the 1996 BBC version of Emma

and Greta Scacchi played Miss Taylor/Mrs Weston in Douglas McGrath's film of the same year.
(A film better known as Gwyneth Paltrow's Emma, although I think Paltrow and Toni Collette would've been better cast in each other's roles - not that Collette wasn't great as Harriet Smith, but she would've made a better Emma than Paltrow did).
That film was also the one with beautiful, talented Ewen McGregor looking hideous as the dashing Frank Churchill in a dreadful wig, which was needed cos his hair was still very short from playing Renton in Trainspotting.


And in a lovely coincidence, Ewan McGregor was later in a film called Cassandra's Dream

These images are of course all copyright the owners - presumably the BBC and the relevant film studios. I mean no infringement of copyright; I am not profiting from the use of these images, and will happily remove them if required to do so by the owners.
25 June 2009
an actual entry in my blog

don't remember exactly when I created this blog, or why - did I intend to witter on about nothing? share profound thoughts? just have an ID so I wouldn't be 'anonymous' when commenting on my friends' blogs?
when I created it, I was writing a journal regularly and writing fiction sporadically, and didn't really have any urge to put words into a blog, talking to an unknown (and possibly non-existent) audience, when I had an eager audience for my journal (me, especially when bored or avoiding something - and it was in convenient form to re-read) and a supportive audience for my fiction (my writing group, particularly my buddies with whom I had a mutual pact to be an honest, constructive and committed reader).
but now I rarely get to my writing group, write tiny amounts of fiction once in a blue moon, and think about writing in my (paper) journal occasionally but don't often do it. most of my writing now occurs on Facebook, so I could just as well blether on here as on FB. except that I have a bunch of very interesting FB friends, who start their own discussion threads, contribute to others', and comment on mine - very stimulating.
hmm, maybe I can make some bloggy friends, too.
hello?
so anyway, I was just looking for a video cassette* which has my film school video You Can't Find Me on it (based on a story I wrote, script by Michelle Harrison with input by me, directed by Pauline Chan, 'produced' by me - but it was Pauline's student budget that funded it), mostly to see if there were any other bits of video on it, like my student piece from Theatre/Media at Mitchell C.A.E., that I could upload to YouTube. Not sure if I have the right to upload You Can't Find Me to YouTube, cos it's copyright AFTRS. (must ring and ask)
despite the title, I did find the video cassette, so will shortly check and see what else is on it.
while hunting for said cassette, I sorted through other videos and DVDs that are stored in the unit (which used to be my bedside table/nightstand). My lovely widescreen telly sits on top (usually covered by a nice leaf-green on cream batik cloth, so it doesn't get dusty), the VCR/DVD player is in the top shelf, and the dvds and video cassettes are underneath (they don't get covered with a cloth, and are thus rather dusty). fascinating what I had in there: videos of movies that I now have on dvd (and so will sell or give away); videos of films that I don't have on dvd and wouldn't mind watching some time, but had totally forgotten I had (like Buster Keaton's The General, Gill Armstrong's Last Days of Chez Nous, a doco about 60s Girl Groups and Motown...); and time-shifted tv on tapes so old they're probably disintegrating (but at least time-shifting is legal now. although there may be a limit on how long is considered 'time-shifting'. 15 years sounds okay to me).
now I've rearranged the videos, and resorted the dvds that were in front of them (my dvd bookcase is overfull, so the TV-on-DVD SF or fantasy dvds are on the nightstand instead of alphabetically shelved with the feature films, docos and non-SF/fantasy TV-on-DVD on the bookcase). and I might even watch some of the videos. after I finish this blog entry, and check my AFTRS tape, and see what's happening on Facebook, and maybe go and buy some groceries, cos I'm out of milk and bananas (two of my staple foods).
nice chatting to you folk/s, and I'll let you know what I find on the AFTRS tape (and whether I can upload my student video to YouTube).
cheers
*for the info of anyone born after 1990: you may have seen them, they're like a dvd, only not a flat disk - more like an audio cassette, but with pictures. an encased reel-to-reel magnetic tape, with sound and image track. playable in a VCR. there used to be two formats, but the Beta one died.
Subscribe to:
Posts (Atom)