Keith Stevenson launches the anthology Anywhere But Earth
Richard Harland
Alan Baxter
Margo Lanagan
Judith Ridge and Margo Lanagan
me and Pamela Freeman
Showing posts with label science fiction. Show all posts
Showing posts with label science fiction. Show all posts
05 November 2011
at the Speculative Fiction Festival 2011, NSW Writers' Centre
Keith Stevenson launches the anthology Anywhere But Earth
Richard Harland
Alan Baxter
Margo Lanagan
Judith Ridge and Margo Lanagan
me and Pamela Freeman
02 April 2011
On Australian Women Writing SF
a guest post by Tansy Rayner Roberts
Australians writers aren’t particularly known for their science fiction, especially right now with fantasy dominating the bestseller shelves, and more of a slipstreamy, speculative fiction sensibility prevalent in the small presses. But it’s there - it has always been there - simmering beneath the surface. As is common where a genre is perceived as marginal, those few examples most people can remember tend to be the ones written by men, just as the majority of books reviewed or considered historically to be “important” also tend, on the whole, to be those written by men.
But I am not most people!
Among my favourite and best beloved works, the first one that comes to mind is the classic feminist-lesbian-shakespearian-dystopian short story by Lucy Sussex, “My Lady Tongue.” There’s also Less Than Human, an industrial-robots-in-near-future-Japan novel by Maxine McArthur, which I love for its characterisation and sense of place as well as a kick-ass crime plot.
Speaking of kick-ass, well, you can’t talk about Australian science fiction without mentioning Marianne de Pierres, who has kept the space opera flag flying in recent years, even as the rest of Australia’s meagre handful of SF writers leap aboard the fantasy ship instead.
Nylon Angel is an Australian classic (dytopia again, we do that so well), and her Sentients of Orion series comes well recommended. Even her recent YA debut, Burn Bright, which has all the hallmarks of a vampire paranormal, is science fictional in the extreme.
I always get annoyed when people put together lists of “important” or “classic” science fiction works and deliberately leave out the YA or childrens books, because that’s often where the women authors are to be found. Certainly, when it comes to science fiction, Australia has a long and marvellous history of children’s authors writing brilliant, disturbing work. Gillian Rubenstein’s Space Demons, for example, is a true Australian children’s classic, very much of its time but still chilling in the depiction of a computer game that can swallow you whole.
Right now, I’m hanging out for what I believe will become a new Australian SF classic. Sue Isle’s Nightsiders was published this month by Twelfth Planet Press, the first in a series of short story quartets by Australian women writers. I haven’t seen the finished book yet, but I have read a couple of the stories and am excited to see more. Nightsiders is another Australian dystopia, centred around a future Perth which has been evacuated by the majority of its population due to climate change, in which only a few stragglers remain, sleeping by day and living by night. The stories I have read of this suite already are harsh and touching, and I can’t wait to receive my book in the post!
One thing is for certain - we have some great Australian women SF writers, but not nearly enough. I’m hoping that the next decade will bring some great new work from established and new voices, and that readers return to the genre in droves.
Tansy Rayner Roberts is the author of Power and Majesty (Creature Court Book One) and The Shattered City (Creature Court Book Two, April 2011) with Reign of Beasts (Creature Court Book Three, coming in November 2011) hot on its tail. Her short story collection Love and Romanpunk will be published as part of the Twelfth Planet Press “Twelve Planets” series in May. It is a little bit science fiction.
This post comes to you as part of Tansy’s Mighty Slapdash Blog Tour, and comes with a cookie fragment of new release The Shattered City:
Macready laughed, stepping back, out of range. “Does the sword not feel like she belongs to you?”
Skysilver, that was the trick to it. Didn’t matter how fast it took you, being a sentinel, it was skysilver that drew you in and made you belong. It had a song you couldn’t quite hear, a heat that connected you to the sky and the Court. If Delphine could just listen to the song of the skysilver, she would understand.
“No, she belongs to you, and I don’t take gifts unless I know their price.”
Australians writers aren’t particularly known for their science fiction, especially right now with fantasy dominating the bestseller shelves, and more of a slipstreamy, speculative fiction sensibility prevalent in the small presses. But it’s there - it has always been there - simmering beneath the surface. As is common where a genre is perceived as marginal, those few examples most people can remember tend to be the ones written by men, just as the majority of books reviewed or considered historically to be “important” also tend, on the whole, to be those written by men.
But I am not most people!
Among my favourite and best beloved works, the first one that comes to mind is the classic feminist-lesbian-shakespearian-dystopian short story by Lucy Sussex, “My Lady Tongue.” There’s also Less Than Human, an industrial-robots-in-near-future-Japan novel by Maxine McArthur, which I love for its characterisation and sense of place as well as a kick-ass crime plot.
Speaking of kick-ass, well, you can’t talk about Australian science fiction without mentioning Marianne de Pierres, who has kept the space opera flag flying in recent years, even as the rest of Australia’s meagre handful of SF writers leap aboard the fantasy ship instead.Nylon Angel is an Australian classic (dytopia again, we do that so well), and her Sentients of Orion series comes well recommended. Even her recent YA debut, Burn Bright, which has all the hallmarks of a vampire paranormal, is science fictional in the extreme.
I always get annoyed when people put together lists of “important” or “classic” science fiction works and deliberately leave out the YA or childrens books, because that’s often where the women authors are to be found. Certainly, when it comes to science fiction, Australia has a long and marvellous history of children’s authors writing brilliant, disturbing work. Gillian Rubenstein’s Space Demons, for example, is a true Australian children’s classic, very much of its time but still chilling in the depiction of a computer game that can swallow you whole.
Right now, I’m hanging out for what I believe will become a new Australian SF classic. Sue Isle’s Nightsiders was published this month by Twelfth Planet Press, the first in a series of short story quartets by Australian women writers. I haven’t seen the finished book yet, but I have read a couple of the stories and am excited to see more. Nightsiders is another Australian dystopia, centred around a future Perth which has been evacuated by the majority of its population due to climate change, in which only a few stragglers remain, sleeping by day and living by night. The stories I have read of this suite already are harsh and touching, and I can’t wait to receive my book in the post!One thing is for certain - we have some great Australian women SF writers, but not nearly enough. I’m hoping that the next decade will bring some great new work from established and new voices, and that readers return to the genre in droves.
Tansy Rayner Roberts is the author of Power and Majesty (Creature Court Book One) and The Shattered City (Creature Court Book Two, April 2011) with Reign of Beasts (Creature Court Book Three, coming in November 2011) hot on its tail. Her short story collection Love and Romanpunk will be published as part of the Twelfth Planet Press “Twelve Planets” series in May. It is a little bit science fiction.
This post comes to you as part of Tansy’s Mighty Slapdash Blog Tour, and comes with a cookie fragment of new release The Shattered City:
Macready laughed, stepping back, out of range. “Does the sword not feel like she belongs to you?”
Skysilver, that was the trick to it. Didn’t matter how fast it took you, being a sentinel, it was skysilver that drew you in and made you belong. It had a song you couldn’t quite hear, a heat that connected you to the sky and the Court. If Delphine could just listen to the song of the skysilver, she would understand.
“No, she belongs to you, and I don’t take gifts unless I know their price.”
31 March 2011
SF Mistressworks - a reading meme
This list was created by reviewer and author Ian Sales, in response to the Gollancz SF Masterworks series.
Ian explains:
"[These are all by women,] science fiction only, no fantasy; and no YA or children’s works. One work per author... Arbitrary end date of 2000.
For trilogies or series, I’ve listed the first book but put the trilogy/series name in square brackets afterwards. Asterisked titles are in Gollancz’s SF Masterworks series. And if the Masterworks series is allowed an anthology, so am I: hence the inclusion of Despatches from the Frontiers of the Female Mind. I’ve also sneakily included one or two collections, for those writers best known for their short fiction.
The list is in order of year of publication.
You know how it works: bold those you’ve read, italicise those you own but have not read. (If you’ve read the entire named series, you can even emboldenize that as well.)"
The titles bolded below are ones that I (Deborah) have read - some many times, some only once. I might also add some titles to Ian's list (or replace some, if I stick to the 'one title by each author' rule). And maybe get started on a Fantasy Mistressworks list :-)
1 * Frankenstein, Mary Shelley (1818)
2 * Herland, Charlotte Perkins Gilman (1915)
3 Orlando, Virginia Woolf (1928)
4 Lest Ye Die, Cicely Hamilton (1928)
5 Swastika Night, Katherine Burdekin (1937)
6 was deleted cos Francis Leslie Ashton is male (1951)
7 The Sword of Rhiannon, Leigh Brackett (1953)
8 Pilgrimage: The Book of the People, Zenna Henderson (1961)
9 Memoirs of a Spacewoman, Naomi Mitchison (1962)
10 Witch World, Andre Norton (1963)
11 Sunburst, Phyllis Gotlieb (1964)
12 Jirel of Joiry, CL Moore (1969)
13 Heroes and Villains, Angela Carter (1969)
14 Ten Thousand Light Years From Home, James Tiptree Jr (1973)
15 * The Dispossessed, Ursula K Le Guin (1974)
16 Walk to the End of the World, Suzy McKee Charnas (1974)
17 * The Female Man, Joana Russ (1975)
18 Missing Man, Katherine MacLean (1975)
19 * Arslan, MJ Engh (1976)
20 * Floating Worlds, Cecelia Holland (1976)
21 * Where Late the Sweet Birds Sang, Kate Wilhelm (1976)
22 Islands, Marta Randall (1976)
23 Dreamsnake, Vonda N McIntyre (1978)
24 False Dawn, Chelsea Quinn Yarbro (1978)
25 Shikasta [Canopus in Argos: Archives], Doris Lessing (1979)
26 Kindred, Octavia Butler (1979)
27 Benefits, Zoe Fairbairns (1979)
28 The Snow Queen, Joan D Vinge (1980)
29 The Silent City, Élisabeth Vonarburg (1981)
30 The Silver Metal Lover, Tanith Lee (1981)
31 The Many-Coloured Land [Saga of the Exiles], Julian May (1981)
32 Darkchild [Daughters of the Sunstone], Sydney J van Scyoc (1982)
33 The Crystal Singer, Anne McCaffrey (1982)
34 Native Tongue, Suzette Haden Elgin (1984)
35 The Handmaid’s Tale, Margaret Atwood (1985)
36 Jerusalem Fire, RM Meluch (1985)
37 Children of Anthi, Jay D Blakeney (1985)
38 The Dream Years, Lisa Goldstein (1985)
39 Despatches from the Frontiers of the Female Mind, Sarah Lefanu & Jen Green (1985)
40 Queen of the States, Josephine Saxton (1986)
41 The Wave and the Flame [Lear's Daughters], Marjorie Bradley Kellogg (1986)
42 The Journal of Nicholas the American, Leigh Kennedy (1986)
43 A Door into Ocean, Joan Slonczewski (1986)
44 Angel at Apogee, SN Lewitt (1987)
45 In Conquest Born, CS Friedman (1987)
46 Pennterra, Judith Moffett (1987)
47 Kairos, Gwyneth Jones (1988)
48 Cyteen , CJ Cherryh (1988)
49 Unquenchable Fire, Rachel Pollack (1988)
50 The City, Not Long After, Pat Murphy (1988)
51 The Steerswoman [Steerswoman series], Rosemary Kirstein (1989)
52 The Third Eagle, RA MacAvoy (1989)
53 * Grass, Sheri S Tepper (1989)
54 Heritage of Flight, Susan Shwartz (1989)
55 Falcon, Emma Bull (1989)
56 The Archivist, Gill Alderman (1989)
57 Winterlong [Winterlong trilogy], Elizabeth Hand (1990)
58 A Gift Upon the Shore, MK Wren (1990)
59 Red Spider, White Web, Misha (1990)
60 Polar City Blues, Katharine Kerr (1990)
61 Body of Glass (AKA He, She and It), Marge Piercy (1991)
62 Sarah Canary, Karen Joy Fowler (1991)
63 Beggars in Spain [Sleepless trilogy], Nancy Kress (1991)
64 A Woman of the Iron People, Eleanor Arnason (1991)
65 Hermetech, Storm Constantine (1991)
66 China Mountain Zhang, Maureen F McHugh (1992)
67 Fools, Pat Cadigan (1992)
68 Correspondence, Sue Thomas (1992)
69 Lost Futures, Lisa Tuttle (1992)
70 Doomsday Book, Connie Willis (1992)
71 Ammonite, Nicola Griffith (1993)
72 The Holder of the World, Bharati Mukherjee (1993)
73 Queen City Jazz, Kathleen Ann Goonan (1994)
74 Happy Policeman, Patricia Anthony (1994)
75 Shadow Man, Melissa Scott (1995)
76 Legacies, Alison Sinclair (1995)
77 Primary Inversion [Skolian Saga], Catherine Asaro (1995)
78 Alien Influences, Kristine Kathryn Rusch (1995)
79 The Sparrow, Mary Doria Russell (1996)
80 Memory [Vorkosigan series], Lois McMaster Bujold (1996)
81 Remnant Population, Elizabeth Moon (1996)
82 Looking for the Mahdi, N Lee Wood (1996)
83 An Exchange of Hostages [Jurisdiction series], Susan R Matthews (1997)
84 Fool’s War, Sarah Zettel (1997)
85 Black Wine, Candas Jane Dorsey (1997)
86 Halfway Human, Carolyn Ives Gilman (1998)
87 Vast, Linda Nagata (1998)
88 Hand of Prophecy, Severna Park (1998)
89 Brown Girl in the Ring, Nalo Hopkinson (1998)
90 Dreaming in Smoke, Tricia Sullivan (1999)
91 Ash: A Secret History, Mary Gentle (2000)
you can read more about this list on Ian Sales' blog
I read about it first on Tansy Rayner Roberts' blog
Ian explains:
"[These are all by women,] science fiction only, no fantasy; and no YA or children’s works. One work per author... Arbitrary end date of 2000.
For trilogies or series, I’ve listed the first book but put the trilogy/series name in square brackets afterwards. Asterisked titles are in Gollancz’s SF Masterworks series. And if the Masterworks series is allowed an anthology, so am I: hence the inclusion of Despatches from the Frontiers of the Female Mind. I’ve also sneakily included one or two collections, for those writers best known for their short fiction.
The list is in order of year of publication.
You know how it works: bold those you’ve read, italicise those you own but have not read. (If you’ve read the entire named series, you can even emboldenize that as well.)"
The titles bolded below are ones that I (Deborah) have read - some many times, some only once. I might also add some titles to Ian's list (or replace some, if I stick to the 'one title by each author' rule). And maybe get started on a Fantasy Mistressworks list :-)
1 * Frankenstein, Mary Shelley (1818)
2 * Herland, Charlotte Perkins Gilman (1915)
3 Orlando, Virginia Woolf (1928)
4 Lest Ye Die, Cicely Hamilton (1928)
5 Swastika Night, Katherine Burdekin (1937)
6 was deleted cos Francis Leslie Ashton is male (1951)
7 The Sword of Rhiannon, Leigh Brackett (1953)
8 Pilgrimage: The Book of the People, Zenna Henderson (1961)
9 Memoirs of a Spacewoman, Naomi Mitchison (1962)
10 Witch World, Andre Norton (1963)
11 Sunburst, Phyllis Gotlieb (1964)
12 Jirel of Joiry, CL Moore (1969)
13 Heroes and Villains, Angela Carter (1969)
14 Ten Thousand Light Years From Home, James Tiptree Jr (1973)
15 * The Dispossessed, Ursula K Le Guin (1974)
16 Walk to the End of the World, Suzy McKee Charnas (1974)
17 * The Female Man, Joana Russ (1975)
18 Missing Man, Katherine MacLean (1975)
19 * Arslan, MJ Engh (1976)
20 * Floating Worlds, Cecelia Holland (1976)
21 * Where Late the Sweet Birds Sang, Kate Wilhelm (1976)
22 Islands, Marta Randall (1976)
23 Dreamsnake, Vonda N McIntyre (1978)
24 False Dawn, Chelsea Quinn Yarbro (1978)
25 Shikasta [Canopus in Argos: Archives], Doris Lessing (1979)
26 Kindred, Octavia Butler (1979)
27 Benefits, Zoe Fairbairns (1979)
28 The Snow Queen, Joan D Vinge (1980)
29 The Silent City, Élisabeth Vonarburg (1981)
30 The Silver Metal Lover, Tanith Lee (1981)
31 The Many-Coloured Land [Saga of the Exiles], Julian May (1981)
32 Darkchild [Daughters of the Sunstone], Sydney J van Scyoc (1982)
33 The Crystal Singer, Anne McCaffrey (1982)
34 Native Tongue, Suzette Haden Elgin (1984)
35 The Handmaid’s Tale, Margaret Atwood (1985)
36 Jerusalem Fire, RM Meluch (1985)
37 Children of Anthi, Jay D Blakeney (1985)
38 The Dream Years, Lisa Goldstein (1985)
39 Despatches from the Frontiers of the Female Mind, Sarah Lefanu & Jen Green (1985)
40 Queen of the States, Josephine Saxton (1986)
41 The Wave and the Flame [Lear's Daughters], Marjorie Bradley Kellogg (1986)
42 The Journal of Nicholas the American, Leigh Kennedy (1986)
43 A Door into Ocean, Joan Slonczewski (1986)
44 Angel at Apogee, SN Lewitt (1987)
45 In Conquest Born, CS Friedman (1987)
46 Pennterra, Judith Moffett (1987)
47 Kairos, Gwyneth Jones (1988)
48 Cyteen , CJ Cherryh (1988)
49 Unquenchable Fire, Rachel Pollack (1988)
50 The City, Not Long After, Pat Murphy (1988)
51 The Steerswoman [Steerswoman series], Rosemary Kirstein (1989)
52 The Third Eagle, RA MacAvoy (1989)
53 * Grass, Sheri S Tepper (1989)
54 Heritage of Flight, Susan Shwartz (1989)
55 Falcon, Emma Bull (1989)
56 The Archivist, Gill Alderman (1989)
57 Winterlong [Winterlong trilogy], Elizabeth Hand (1990)
58 A Gift Upon the Shore, MK Wren (1990)
59 Red Spider, White Web, Misha (1990)
60 Polar City Blues, Katharine Kerr (1990)
61 Body of Glass (AKA He, She and It), Marge Piercy (1991)
62 Sarah Canary, Karen Joy Fowler (1991)
63 Beggars in Spain [Sleepless trilogy], Nancy Kress (1991)
64 A Woman of the Iron People, Eleanor Arnason (1991)
65 Hermetech, Storm Constantine (1991)
66 China Mountain Zhang, Maureen F McHugh (1992)
67 Fools, Pat Cadigan (1992)
68 Correspondence, Sue Thomas (1992)
69 Lost Futures, Lisa Tuttle (1992)
70 Doomsday Book, Connie Willis (1992)
71 Ammonite, Nicola Griffith (1993)
72 The Holder of the World, Bharati Mukherjee (1993)
73 Queen City Jazz, Kathleen Ann Goonan (1994)
74 Happy Policeman, Patricia Anthony (1994)
75 Shadow Man, Melissa Scott (1995)
76 Legacies, Alison Sinclair (1995)
77 Primary Inversion [Skolian Saga], Catherine Asaro (1995)
78 Alien Influences, Kristine Kathryn Rusch (1995)
79 The Sparrow, Mary Doria Russell (1996)
80 Memory [Vorkosigan series], Lois McMaster Bujold (1996)
81 Remnant Population, Elizabeth Moon (1996)
82 Looking for the Mahdi, N Lee Wood (1996)
83 An Exchange of Hostages [Jurisdiction series], Susan R Matthews (1997)
84 Fool’s War, Sarah Zettel (1997)
85 Black Wine, Candas Jane Dorsey (1997)
86 Halfway Human, Carolyn Ives Gilman (1998)
87 Vast, Linda Nagata (1998)
88 Hand of Prophecy, Severna Park (1998)
89 Brown Girl in the Ring, Nalo Hopkinson (1998)
90 Dreaming in Smoke, Tricia Sullivan (1999)
91 Ash: A Secret History, Mary Gentle (2000)
you can read more about this list on Ian Sales' blog
I read about it first on Tansy Rayner Roberts' blog
16 September 2009
bad science, great faces
possible SPOILERS if you watch Fringe
watching Fringe is such a pleasure. I could quite happily just gaze at Anna Torv's face for the whole hour, with the other characters simply being voices from off screen, so it's a bonus that she brings acting skill to the role of Agent Olivia Dunham, and that several of the other actors are also greatly gaze-worthy (and good actors).
John Noble's sweetly craggy features are perfect for his mad-scientist role, the lovely, loony Walter Bishop. I do hope, however, that the scriptwriters ease up on the running gag of Walter's 'important requests', which made me laugh the first few times: Do you need anything while you conduct this experiment, Walter? Yes, I must have some cotton candy; blue, not pink. At the crime scene (a diner) Fed: What do you need? Walter: Could I have a bowl of this onion soup? Oh, and bring these two bodies back to my lab. now that I'm expecting each appearance of the gag it's a little less amusing.
and there's Kirk Acevedo, with an awful haircut (excusable I suppose by his character being FBI) detracting only slightly from his watchability. he looks just fine, even without the dashing, self-inflicted scar that he had slashed across his cheek as Miguel Alvarez in Oz. I do wish he'd smile more, though.
Joshua Jackson is reassuringly 'normal' looking as Walter's son Peter, Lance Reddick does a great 'serious' look as Olivia's boss Agent Broyles, and Jasika Nicole is very cute as the hapless (but probably very competent when she's not being co-opted as assistant to a mad scientist) Asterisk - sorry, Astrid.
the stories are a nice mix of conspiracy theories, emotive rescues of helpless victims, and really nasty bad guys, with some weird and wonderful 'science' thrown in.
sometimes it's the little things that irk me the most, not the outrageously bizarre 'stuff' that is the flabotnum (sp? phlibotnem? that word that Joss Whedon & his writing team used when talking about Buffy and Angel, meaning the hi-tech gizmo, spell, or alien force that did whatever they needed it to do as a plot device, without needing any annoying exposition) of the episode.
tonight's episode featured women who'd been abducted (oh, what a surprise! occasionally it's a man, sometimes a child, but most often women who are abducted) and injected with some drug that would interact with medical treatment they were having to make them highly radioactive and turn their heads into killer microwave ovens that could slaughter a roomful of people. I'm happy to go with that - reading SF since I was a kid has given me a high tolerance for weird science, as long as it has internal consistency.
the bits that bugged me where when evil scientist #2 (a pretty Asian American woman who we first saw wearing full hazchem/radioactivity-proof suit, who then revealed her feminine beauty by taking off the ugly great protective helmet/mask/hood thingy and shaking out her lovely long hair) was about to inject the 'bad stuff' into a drip solution that was feeding into the poor abducted woman. evil scientist #2 held up the syringe and flicked it to get the air bubbles out before injecting it into the drip solution - but the 'bad stuff' was about a centimetre below the top of the syringe! there was no point flicking to get tiny air bubbles out when she hadn't yet pushed the plunger far enough to get the liquid up to the needle. silly evil scientist!
(it was probably so that we could see there was some brightly coloured bad stuff in the syringe, it wasn't just a groovy red syringe with nothing in it)
the other bit that bugged me (and I'm probably just being picky here) was when the 'good stuff' cooked up by our lovely mad scientist saved the second abducted woman by massively reducing the level of radioactivity in her body within a second or so. a bit unfair of me, really - it did make for a lovely dramatic denouement, and if I'm going to buy the delayed release radiotherapy nano-capsules the women were being treated with, and Walter's mad genius overall, then why not accept an anti-radioactivity drug that acts faster than Narcan?
I did feel sorry for the poor little bald rat who was used to test the second abducted woman's killer microwaves. at least they blew its head up while it was hiding under her medical gown - Fringe is tactful like that, we see exploding heads only indirectly, even when it's a rat's head.
watching Fringe is such a pleasure. I could quite happily just gaze at Anna Torv's face for the whole hour, with the other characters simply being voices from off screen, so it's a bonus that she brings acting skill to the role of Agent Olivia Dunham, and that several of the other actors are also greatly gaze-worthy (and good actors).
John Noble's sweetly craggy features are perfect for his mad-scientist role, the lovely, loony Walter Bishop. I do hope, however, that the scriptwriters ease up on the running gag of Walter's 'important requests', which made me laugh the first few times: Do you need anything while you conduct this experiment, Walter? Yes, I must have some cotton candy; blue, not pink. At the crime scene (a diner) Fed: What do you need? Walter: Could I have a bowl of this onion soup? Oh, and bring these two bodies back to my lab. now that I'm expecting each appearance of the gag it's a little less amusing.
and there's Kirk Acevedo, with an awful haircut (excusable I suppose by his character being FBI) detracting only slightly from his watchability. he looks just fine, even without the dashing, self-inflicted scar that he had slashed across his cheek as Miguel Alvarez in Oz. I do wish he'd smile more, though.
Joshua Jackson is reassuringly 'normal' looking as Walter's son Peter, Lance Reddick does a great 'serious' look as Olivia's boss Agent Broyles, and Jasika Nicole is very cute as the hapless (but probably very competent when she's not being co-opted as assistant to a mad scientist) Asterisk - sorry, Astrid.
the stories are a nice mix of conspiracy theories, emotive rescues of helpless victims, and really nasty bad guys, with some weird and wonderful 'science' thrown in.
sometimes it's the little things that irk me the most, not the outrageously bizarre 'stuff' that is the flabotnum (sp? phlibotnem? that word that Joss Whedon & his writing team used when talking about Buffy and Angel, meaning the hi-tech gizmo, spell, or alien force that did whatever they needed it to do as a plot device, without needing any annoying exposition) of the episode.
tonight's episode featured women who'd been abducted (oh, what a surprise! occasionally it's a man, sometimes a child, but most often women who are abducted) and injected with some drug that would interact with medical treatment they were having to make them highly radioactive and turn their heads into killer microwave ovens that could slaughter a roomful of people. I'm happy to go with that - reading SF since I was a kid has given me a high tolerance for weird science, as long as it has internal consistency.
the bits that bugged me where when evil scientist #2 (a pretty Asian American woman who we first saw wearing full hazchem/radioactivity-proof suit, who then revealed her feminine beauty by taking off the ugly great protective helmet/mask/hood thingy and shaking out her lovely long hair) was about to inject the 'bad stuff' into a drip solution that was feeding into the poor abducted woman. evil scientist #2 held up the syringe and flicked it to get the air bubbles out before injecting it into the drip solution - but the 'bad stuff' was about a centimetre below the top of the syringe! there was no point flicking to get tiny air bubbles out when she hadn't yet pushed the plunger far enough to get the liquid up to the needle. silly evil scientist!
(it was probably so that we could see there was some brightly coloured bad stuff in the syringe, it wasn't just a groovy red syringe with nothing in it)
the other bit that bugged me (and I'm probably just being picky here) was when the 'good stuff' cooked up by our lovely mad scientist saved the second abducted woman by massively reducing the level of radioactivity in her body within a second or so. a bit unfair of me, really - it did make for a lovely dramatic denouement, and if I'm going to buy the delayed release radiotherapy nano-capsules the women were being treated with, and Walter's mad genius overall, then why not accept an anti-radioactivity drug that acts faster than Narcan?
I did feel sorry for the poor little bald rat who was used to test the second abducted woman's killer microwaves. at least they blew its head up while it was hiding under her medical gown - Fringe is tactful like that, we see exploding heads only indirectly, even when it's a rat's head.
10 September 2009
books that shaped me
Some people object to lists, but I looove lists of good books (that's why I bought Nancy Pearl's "Book Lust"). And this "shopping list" post certainly fits the theme of my blog - my life as a reader/audience.
These books are all ones that I love, by authors & illustrators that I admire; some were also childhood favourites. I decided to do a list of 100, which meant having to exclude lots, so when a book is part of a series, I have usually put just the first book, or my favourite, to represent them all (in most cases I love the whole series).
Mostly I've listed books that were published at least five years ago (except for Let the Right One In, which I made an exception for cos it's a) brilliant and b) such a good example of cross-genre writing), to give enough time to judge how much the books have stayed with me.
I've also aimed to avoid having more than one book by the same author in the same category (although some authors are included in more than one genre), cos otherwise my children's books could've been all Joan Aiken, for example, and I wanted to include as many authors as possible.
They're grouped by genre/audience/format cos I wanted to have a representative range of the books that I love and that have contributed to my world view. I started reading crime, SF and general adult fiction when I was a kid, and still read kids' books now.
Young Adult:
1. My Heartbeat, Garret Freymann-Weyr
2. Saving Francesca, Melina Marchetta
3. Boy Meets Boy, David Levithan
4. Sky Legs, Irini Savvides
5. Tomorrow, When the War Began, John Marsden
6. The Sterkarm Handshake, Susan Price
7. Lockie Leonard, Human Torpedo, Tim Winton
8. Tex, S.E. Hinton
9. Pagan's Vows, Catherine Jinks
10. Finding Cassie Crazy, Jaclyn Moriarty
Crime/Mystery
11. Justice, Faye Kellerman
12. Shakespeare's Champion, Charlaine Harris
13. Cut to the Quick, Kate Ross
14. Seeing a Large Cat, Elizabeth Peters
15. The Embroidered Sunset, Joan Aiken
16. A Running Duck, Paula Gosling
17. The Franchise Affair, Josephine Tey
18. Peepshow, Leigh Redhead
19. Busman's Honeymoon, Dorothy L. Sayers
20. For the Defense, Kate Wilhelm
SF/Fantasy/Horror
21. Darwin's Radio, Greg Bear
22. The October Country, Ray Bradbury
23. Dhalgren, Samuel R. Delany, Jr
24. Welcome, Chaos, Kate Wilhelm
25. Insomnia, Stephen King
26. Hunting Party, Elizabeth Moon
27. Body of Glass, Marge Piercy
28. Beauty, Sheri S. Tepper
29. The Autumn Castle, Kim Wilkins
30. Always Coming Home, Ursula K. Le Guin
Picture books:
31. I Hate My Teddy Bear, David McKee
32. Eloise, Kay Thompson & Hilary Knight
33. Goodnight, Moon, Margaret Wise Brown & Clement Hurd
34. My Place, Nadia Wheatley & Donna Rawlins
35. Fungus the Bogeyman, Raymond Briggs
36. Where the Wild Things Are, Maurice Sendak
37. Just One Apple, Janosch
38. Tip-Tip, Marcelle Vérité
39. The Waterhole, Graeme Base
40. Grandpa, John Burningham
Children's:
41. The Load of Unicorn, Cynthia Harnett
42. Black Hearts in Battersea, Joan Aiken
43. The Horse & His Boy, C.S. Lewis
44. The Wind on the Moon, Eric Linklater
45. The Borrowers, Mary Norton
46. Handles, Jan Mark
47. The Ice is Coming, Patricia Wrightson
48. The Children of Green Knowe, Lucy M. Boston
49. White Boots, Noel Streatfield
50. The Phantom Tollbooth, Norman Juster
General fiction:
51. A Spot of Bother, Mark Haddon
52. 26a, Diana Evans
53. The Spell, Alan Hollinghurst
54. Not That Sort of Girl, Mary Wesley
55. Dirt Music, Tim Winton
56. The Infernal Optimist, Linda Jaivin
57. God on the Rocks, Jane Gardam
58. Three Dog Night, Peter Goldsworthy
59. I for Isobel, Amy Witting
60. The Bat Tattoo, Russell Hoban
Historical novels:
61. Gone to Soldiers, Marge Piercy
62. The Vizard Mask, Diana Norman
63. The Gentleman's Garden, Catherine Jinks
64. An Infamous Army, Georgette Heyer
65. Jane Fairfax, Joan Aiken
66. These Is My Words, Nancy Turner
67. Queen of the Lightning, Kathleen Herbert
68. Cold Mountain, Charles Frazier
69. Year of Wonders, Geraldine Brooks
70. Small Gains, K.M. Peyton
Graphic novels:
71. Sandman, Neil Gaiman & Kieth/Dringenberg/Klein, et al.
72. Y: Last Man, Brian K. Vaughn & Pia Guerra
73. Tales of the Slayers: Presumption, Jane Espenson & Russell/Kindzierski/Showman
74. The Adventuress, Audrey Niffenegger
75. Fun Home, Alison Bechdel
76. Persepolis 1 & 2, Marjane Satrapi
77. Blankets, Craig Thompson
78. 99 Ways to Tell a Story, Matt Madden
79. Black Orchid, Neil Gaiman & Dave McKean
80. Buddha, Osamu Tezuka
Classics (and ones that should be):
81. Persuasion, Jane Austen
82. Wuthering Heights, Emily Bronte
83. Jane Eyre, Charlotte Bronte
84. Vanity Fair, W.M. Thackeray
85. Frankenstein, Mary Shelley
86. Maurice, E.M. Forster
87. Mrs Dalloway, Virginia Woolf
88. Living Alone, Stella Benson
89. At the Back of the North Wind, George MacDonald
90. Sing For Your Supper, Pamela Frankau
Cross-genre & other favourites:
91. Drums of Autumn, Diana Gabaldon
92. Dead Until Dark, Charlaine Harris
93. Anansi Boys, Neil Gaiman
94. The Underdog, Markus Zusak
95. The Puppy Sister, S.E. Hinton
96. How I Live Now, Meg Rosoff
97. Sabriel, Garth Nix
98. Emma Tupper's Diary, Peter Dickinson
99. Cold Tom, Sally Price
100. Let the Right One In, John Ajvide Lindqvist
These books are all ones that I love, by authors & illustrators that I admire; some were also childhood favourites. I decided to do a list of 100, which meant having to exclude lots, so when a book is part of a series, I have usually put just the first book, or my favourite, to represent them all (in most cases I love the whole series).
Mostly I've listed books that were published at least five years ago (except for Let the Right One In, which I made an exception for cos it's a) brilliant and b) such a good example of cross-genre writing), to give enough time to judge how much the books have stayed with me.
I've also aimed to avoid having more than one book by the same author in the same category (although some authors are included in more than one genre), cos otherwise my children's books could've been all Joan Aiken, for example, and I wanted to include as many authors as possible.
They're grouped by genre/audience/format cos I wanted to have a representative range of the books that I love and that have contributed to my world view. I started reading crime, SF and general adult fiction when I was a kid, and still read kids' books now.
Young Adult:
1. My Heartbeat, Garret Freymann-Weyr
2. Saving Francesca, Melina Marchetta
3. Boy Meets Boy, David Levithan
4. Sky Legs, Irini Savvides
5. Tomorrow, When the War Began, John Marsden
6. The Sterkarm Handshake, Susan Price
7. Lockie Leonard, Human Torpedo, Tim Winton
8. Tex, S.E. Hinton
9. Pagan's Vows, Catherine Jinks
10. Finding Cassie Crazy, Jaclyn Moriarty
Crime/Mystery
11. Justice, Faye Kellerman
12. Shakespeare's Champion, Charlaine Harris
13. Cut to the Quick, Kate Ross
14. Seeing a Large Cat, Elizabeth Peters
15. The Embroidered Sunset, Joan Aiken
16. A Running Duck, Paula Gosling
17. The Franchise Affair, Josephine Tey
18. Peepshow, Leigh Redhead
19. Busman's Honeymoon, Dorothy L. Sayers
20. For the Defense, Kate Wilhelm
SF/Fantasy/Horror
21. Darwin's Radio, Greg Bear
22. The October Country, Ray Bradbury
23. Dhalgren, Samuel R. Delany, Jr
24. Welcome, Chaos, Kate Wilhelm
25. Insomnia, Stephen King
26. Hunting Party, Elizabeth Moon
27. Body of Glass, Marge Piercy
28. Beauty, Sheri S. Tepper
29. The Autumn Castle, Kim Wilkins
30. Always Coming Home, Ursula K. Le Guin
Picture books:
31. I Hate My Teddy Bear, David McKee
32. Eloise, Kay Thompson & Hilary Knight
33. Goodnight, Moon, Margaret Wise Brown & Clement Hurd
34. My Place, Nadia Wheatley & Donna Rawlins
35. Fungus the Bogeyman, Raymond Briggs
36. Where the Wild Things Are, Maurice Sendak
37. Just One Apple, Janosch
38. Tip-Tip, Marcelle Vérité
39. The Waterhole, Graeme Base
40. Grandpa, John Burningham
Children's:
41. The Load of Unicorn, Cynthia Harnett
42. Black Hearts in Battersea, Joan Aiken
43. The Horse & His Boy, C.S. Lewis
44. The Wind on the Moon, Eric Linklater
45. The Borrowers, Mary Norton
46. Handles, Jan Mark
47. The Ice is Coming, Patricia Wrightson
48. The Children of Green Knowe, Lucy M. Boston
49. White Boots, Noel Streatfield
50. The Phantom Tollbooth, Norman Juster
General fiction:
51. A Spot of Bother, Mark Haddon
52. 26a, Diana Evans
53. The Spell, Alan Hollinghurst
54. Not That Sort of Girl, Mary Wesley
55. Dirt Music, Tim Winton
56. The Infernal Optimist, Linda Jaivin
57. God on the Rocks, Jane Gardam
58. Three Dog Night, Peter Goldsworthy
59. I for Isobel, Amy Witting
60. The Bat Tattoo, Russell Hoban
Historical novels:
61. Gone to Soldiers, Marge Piercy
62. The Vizard Mask, Diana Norman
63. The Gentleman's Garden, Catherine Jinks
64. An Infamous Army, Georgette Heyer
65. Jane Fairfax, Joan Aiken
66. These Is My Words, Nancy Turner
67. Queen of the Lightning, Kathleen Herbert
68. Cold Mountain, Charles Frazier
69. Year of Wonders, Geraldine Brooks
70. Small Gains, K.M. Peyton
Graphic novels:
71. Sandman, Neil Gaiman & Kieth/Dringenberg/Klein, et al.
72. Y: Last Man, Brian K. Vaughn & Pia Guerra
73. Tales of the Slayers: Presumption, Jane Espenson & Russell/Kindzierski/Showman
74. The Adventuress, Audrey Niffenegger
75. Fun Home, Alison Bechdel
76. Persepolis 1 & 2, Marjane Satrapi
77. Blankets, Craig Thompson
78. 99 Ways to Tell a Story, Matt Madden
79. Black Orchid, Neil Gaiman & Dave McKean
80. Buddha, Osamu Tezuka
Classics (and ones that should be):
81. Persuasion, Jane Austen
82. Wuthering Heights, Emily Bronte
83. Jane Eyre, Charlotte Bronte
84. Vanity Fair, W.M. Thackeray
85. Frankenstein, Mary Shelley
86. Maurice, E.M. Forster
87. Mrs Dalloway, Virginia Woolf
88. Living Alone, Stella Benson
89. At the Back of the North Wind, George MacDonald
90. Sing For Your Supper, Pamela Frankau
Cross-genre & other favourites:
91. Drums of Autumn, Diana Gabaldon
92. Dead Until Dark, Charlaine Harris
93. Anansi Boys, Neil Gaiman
94. The Underdog, Markus Zusak
95. The Puppy Sister, S.E. Hinton
96. How I Live Now, Meg Rosoff
97. Sabriel, Garth Nix
98. Emma Tupper's Diary, Peter Dickinson
99. Cold Tom, Sally Price
100. Let the Right One In, John Ajvide Lindqvist
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